The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

103.78.152.*：1965年真是剧情黄金年代，好片层出不穷！

36.26.33.*：有人是因为喜欢Heinri才看的这部的吗？

116.7.161.*：为什么国语声音好小，你们声音大吗？

123.119.20.*：特别喜欢看剧情，还有其他剧情推荐吗？

166.10.165.*：找了好久没有和解，终于找了，想看个国语版太不容易了！

114.238.99.*：没有和解是1965最好看的剧情。

112.24.228.*：没有和解好看吗？我还没看

222.175.19.*：为什么没有和解下载总是在99%卡住了！！！

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